Unbalanced
Grass
who | comedy
| synthpop
| grass
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| writing
Rock bands are an enduring format. The world will
always have rock bands; they are the epitome of everything humankind has ever
stood for. If you look at the state the world is in today, you’ll see an utter
mess. Terror everywhere, panic, confusion, nobody seems to know what they’re
doing, and even when they actually are doing something, they’re doing it wrong.
Well, rock bands are a bit like that.
When I say “rock bands”, I actually mean “Unbalanced
Grass”, because what I just wrote in the above paragraph pretty much describes
the state of Unbalanced Grass following the eventual release of We Must
Rebuild. Morti wrote an album, Adam Three
Trillion continued to write his magnum opus, which remains perpetually
unfinished, and Pookie K managed to squeeze something
else out under the curious title of Buyer 2 in the year 2008, promptly
terminating his solo side-project because, frankly, he’d had enough of it.
By this time, the band had been reduced to a mere three
members – frontman Pooka,
instrumentalist and botherer Morti,
and backing vocalist Matt, who is also a DJ but hasn’t used any of that skill
(yet). But where there is a will, there’s a way – so the saying goes, for some
reason – and Pooka’s will was good. So, undeterred,
he threw himself into a project called FAWM, and subsequently into Canterbury,
where he and Morti wrote a few things – if we’re
naming names, a ditty about being a teacher, a bizarre track with vacuum
cleaner solo about Boyle’s Law of Gas, and a nice little song about being
ignored in the world of music – something which was very close to the band’s
hearts. Said song, Melted Into Sound, had the
curious property of being able to lodge itself into the listener’s brain and
not get out again. In the music industry, this is known as a ‘single’. Sorry… ‘focus track’.
Melted eventually got an outing
at a gig for FAWM participants in March that year, and
then later at an Unbalanced Grass gig in November. Even Pooka’s
parents liked it, and so in a moment of weak will, he saw fit to release it as
a single at the
end point of the year. Free, and download-only, it hardly made any waves, but
at least it was the springboard he had been hoping for. If they could write
songs like this (catchy enough to play it over and over again, Morti making up new solos every time and Matt picking up
the rhythm on a djembe after three bars), Unbalanced
Grass could do anything they wanted.
They just haven’t done it yet.
Some new songs have had their outings at a gig
promoting Morti’s new album (with Pookie
K supporting) and another FAWM gig in the first quarter of 2009. They have
mostly gone down quite well, but it’s likely to be quite a considerable period
of time before anything bearing vague semblance of a ‘new album’. Pooka sat down to have a think…
…and emerged with two albums in his hands. Four All
was a digitally remastered retrospecticus
of what Unbalanced Grass had already done, while The Rest Of, apart from
having an awesome title, was a digitally remastered retrospecticus of what Unbalanced Grass had done but hadn’t
released. Apart, they stood high in their own right, but together, they made a
force terrible to behold. Well, either that, or a
special offer of £3. Either will do, I’m not fussy.
Now all that remained was to make these available to
the world, and wait for more music to present itself…
Copyright © Pookie K, 2011